| Titre : |
Omaggio : For Concert Band |
| Type de document : |
Partition pour Orchestre à vent |
| Auteurs : |
Michael BALL (1946), Compositeur |
| Editeur : |
Aylesbury [Royaume-Uni] : Novello |
| Année de publication : |
1987 |
| Collection : |
Novello Wind Band and Wind Ensemble Series |
| Orchestre : | Orchestre d'harmonie ; 1 |
| Importance : |
127 p. |
| Note générale : |
Œuvre au choix pour le niveau A (Presto) au 4ème Concours International pour Orchestres d'Harmonie à Strasbourg (avril 2000). |
| Langues : |
Anglais (eng) |
| Mots-clés : |
20E SIECLE-2E MOITIE
ITALIE
OEUVRE ORIGINALE
ORCHESTRE D'HARMONIE
|
| Index. décimale : |
210.1 Orchestre d'harmonie seul |
| Résumé : |
Cette pièce est une hommage à l'Italie et à tout ce qui vient d'Italie, suite aux visites du compositeurs il y a quelques années.
Omaggio is a homage to Italy and all things Italian and is an attempt to repay a small part of the debt which I feel after my visits there over several years. In fact, it is a sort of In the South for me. The piece is in three movements lasting some 17 minutes in all. A brief Burla of a fast-moving scherzo character pays tribute to Verdi - the title is put into context by the quotation from the fugue which concludes the last act of Falstaff.- Tutte nel mondo è burla. Barcarola is sterner stuff - a grim black gondola evokes the Venice of the Serenissima. The movement operates on two différent levels - as an actual gondola song (in the slightly unusual metre of 9/8; and in peeling back the layers of historical time, as in the outer movements of My orchestral Resurrection Symphonies of 1982. These time-doors eventually open on an early seventeenth century St Mark's and the jaunty fanfares of Monteverdi peel out, coupled with that great early wind-band work, the Sonata pian' e forte of Giovanni Gabrieli. Inevitably the time layers fold back once more and the moment is only a memory.The most substantiel movement is the final Palio, an unashamedly programmatic évocation of the historic Sienese horse-race, ending with a whole festival of Tuscan folk-song allowing optional additional percussionists, possibly in medieval costume, to create a suitably theatrical framework to the closing sections. |
| Note de contenu : |
1. Burla
2. Barcarola
3. Palio |
| Présentation musicale (orchestre) : |
Conducteur d'orchestre - orchestration complète |
| Durée : |
00:18:00 |
| ISMN : |
9790050031284 |
| Niveau de difficulté orchestre : |
Difficulté 6 |
| Permalink : |
https://www.windmusic.org/index.php?lvl=notice_display&id=35680 |
Omaggio : For Concert Band [Partition pour Orchestre à vent] / Michael BALL (1946), Compositeur . - Aylesbury [Royaume-Uni] : Novello, 1987 . - 127 p.. - ( Novello Wind Band and Wind Ensemble Series) . Œuvre au choix pour le niveau A (Presto) au 4ème Concours International pour Orchestres d'Harmonie à Strasbourg (avril 2000). Langues : Anglais ( eng)
| Mots-clés : |
20E SIECLE-2E MOITIE
ITALIE
OEUVRE ORIGINALE
ORCHESTRE D'HARMONIE
|
| Index. décimale : |
210.1 Orchestre d'harmonie seul |
| Résumé : |
Cette pièce est une hommage à l'Italie et à tout ce qui vient d'Italie, suite aux visites du compositeurs il y a quelques années.
Omaggio is a homage to Italy and all things Italian and is an attempt to repay a small part of the debt which I feel after my visits there over several years. In fact, it is a sort of In the South for me. The piece is in three movements lasting some 17 minutes in all. A brief Burla of a fast-moving scherzo character pays tribute to Verdi - the title is put into context by the quotation from the fugue which concludes the last act of Falstaff.- Tutte nel mondo è burla. Barcarola is sterner stuff - a grim black gondola evokes the Venice of the Serenissima. The movement operates on two différent levels - as an actual gondola song (in the slightly unusual metre of 9/8; and in peeling back the layers of historical time, as in the outer movements of My orchestral Resurrection Symphonies of 1982. These time-doors eventually open on an early seventeenth century St Mark's and the jaunty fanfares of Monteverdi peel out, coupled with that great early wind-band work, the Sonata pian' e forte of Giovanni Gabrieli. Inevitably the time layers fold back once more and the moment is only a memory.The most substantiel movement is the final Palio, an unashamedly programmatic évocation of the historic Sienese horse-race, ending with a whole festival of Tuscan folk-song allowing optional additional percussionists, possibly in medieval costume, to create a suitably theatrical framework to the closing sections. |
| Note de contenu : |
1. Burla
2. Barcarola
3. Palio |
| Présentation musicale (orchestre) : |
Conducteur d'orchestre - orchestration complète |
| Durée : |
00:18:00 |
| ISMN : |
9790050031284 |
| Niveau de difficulté orchestre : |
Difficulté 6 |
| Permalink : |
https://www.windmusic.org/index.php?lvl=notice_display&id=35680 |
|  |
Omaggio : For Concert Band / BALL, Michael (1946) (1987) 
